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Culture& Heritage |
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Introduction
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| Chaojhou Town is located in the southwest of Taiwan, with Taitung County in its east and the Taiwan Strait in its west. Lying between the sea and mountain, there are fabulous landscapes and fresh air, making the town an ideal place for hiking and walking. The jurisdiction of the office covers Chaojhou Town, Neipu Township, Chutien Township , Wanlien Township, Sinbei Township, Fangliu Township , Taiwu Township, Laiyi Township, and Cunrih Township, with a total area of 692.62km2. The Taiwu Township, Laiyi Township , and Cunrih Township are in the mountain area; and Neipu Township, Chutien Township, Wanlien Township and Sinbei Township are Hakkanese townships.
Chaojhou Office is located inside the Liudui Hakka Cultural Center. “Liudui” (six groups) refers to the self-defense groups formed by six Hakkanese villages in Kaohsiung and Pingtung counties to resist foreign aggression in the past. As they were divided into six teams by origin and they were not real troops, people twisted the sound of “team” in Mandarin into “group” to distinguish them from military troops.
History of Liutui: When the revolt led by Chu, I-Guei in 1721 threatened the survival of six Hakkanese villages in Kaohsiung and Pingtung counties, local gentries gathered all volunteers to discuss the situation at Machu Temple in Neipu. They decided to form a self-defense group containing six teams (Liutui), including the central team (Chutien Township), the vanguard team (Wanlien Township), the rear team (Neipu Township), the front team (Linlo and Jangtze), the left team (Jiadong and Sinbei), and the right team (Meinon and Kaosu). These teams were formed to protect their hometown and to resist foreign aggression. It was a victory then. Therefore, the Cing Government honored them with the Jhongyi Kiosk, later turned into the Jhongyi Ancestral Shrine and became the spiritual center of Hakka villages in both counties. Today, Hakka villages belonging to the Liutui system spread over these two counties, which were under the jurisdiction of Fengshan County in the Cing Dynasty. During the Japanese Occupation, they were under the jurisdiction of Ahou Department or Kaohsiung County. After the restoration of Taiwan, all Hakka villages of the Liutui system were under the jurisdiction of Pingtung County, except Meinon which still belonged to Kaohsiung County. Therefore, Liutui does not refer to a specific administrative district, but a union of people with the same ethic origin. The Neipu Township, Chutien Township, Wanlien Township and Sinbei Township within the jurisdiction of this office are the central of this culture.
Right team: Kaosu, Meinon, Liuguei, Sanlin, part of Jiasien, Wulo in Ligang, Sojinliao in Cishan .
Front team: Jangtze, Linlo, Zhenliao in Jiuru, Tienliu in Pingtung City and Cifantze in Yenpu .
Central team: Chutien.
Rear team: Neipu.
Vanguard team: Wanlien
Left team: Sinbei and Jiadon |
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Hakka spirit |
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Tradition is the root of a race. We dare not abandon the traditional Hakka customs superficially and neglect the uncompromised characteristic of Hakka people.
(Excerpts from Liutui Culture Website)
Hakka people have a strong sense of hall name. It refers to “trace to the beginnings and go back to the origin”. For Hakka people of the Liutui system, nothing will be more important than “seeking root”. In order to let offspring remember the history and development of the kin, people must not forget the origins of their ancestors. |
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Hakka people of the Liutui system value the virtue of “loyalty and filial piety” and the spirit of “farming hard and study”. They believe that “study” is an important way to improve living standard and to make their family become great. They also affirm that “farming hard” is the only way for high yields. Therefore, Hakka people of the Liutui system build up their family according to the belief in “farming and study”.
They had traveled for a long time before settling down in Kaohsiung and Pingtung. To ensure the purity of the kin, they showed high respect for ancestors. “Never forget the words of ancestors at the cost of personal properties.” Therefore, they offered sacrifice to ancestors first in any ritual. This explains their attitudes toward ancestry.
Many buildings of Hakka people of the Liutui system had special structures for defensive function. For example, there were monitoring holes called chongyen the fence gate and windows in the front hall to watch the enemy and attack them from these holes. The surrounded house structure was also for defensive purpose.
After crossing the sea and stepping on the soil of Taiwan, early Hakka people of the Liutui system overcame countless obstacles and cultivated wasteland into fields. They worked together and helped one another in difficulties; they never forgot where their happiness came from; they respected their ancestors. These were the basic elements of the Hakka culture of the Liutui system. (Excepts from the Bureau of Hakka Affairs website, Pingtung County Government)
We wholeheartedly welcome you to show concern for Hakka culture, to learn the diligent and simple the Hakka spirit, we would invite you to visit the Liutui Hakka Cultural Monument Museum in Chutien Township. |
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Paiwan Culture |
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Paiwan tribe is the dominant tribe in Taiwu Township , Laiyi Township, and Cunrih Township within our jurisdiction. It is third biggest aboriginal tribe in Taiwan next to the Amis and Atayal tribes. Most Paiwan people are living in a way almost the same as their ancestors in Sandimen, Majia, Taiwu, Laiyi , Cunrih, Shihtze, Mudan and Manchou townships ion Pingtung County; Daren, Dawu, Jingfeng and Taimali in Taitung County; and Sinyuanli in Taitung City; except those who have moved to the city.
We can see containers and decorations in Paiwan style in any Paiwan settlements, including glass beads, pottery pots, wood carvings and sabers (NB: only Lovanijun families are allowed to keep bronze sabers). They are all typical artworks of Paiwan people. Moreover, many traditional arts of tribe are the products out of everyday lives. Therefore, many articles are related to everyday lives. A combination of the spiritual and material civilizations is a striking feature of the Paiwan society. For Paiwan people, it is the wisdom that passes down from one generation to another.
Though they are disposed of by the environment, they can make full use of the environment. People living on high mountains practiced hunting. The slash-and-burn technique was the major practice of many aboriginal tribes on the island. Incomes from crops were the major source of living. Animal raising was the sideline job of the family. In this case, they were living in a kind of self-contain style, without a clear classification of occupation, i.e. exchange economics did not exist.
They lived in a simple and primitive way. They had strong living capacity, with less concern for the quality of food, clothing and housing. To meet the basic human demands for survival was what early Paiwan people asked for.
Amongst all Indonesian tribes, aboriginal tribes in Taiwan have the least influence of foreign religions like Hinduism, Buddhism, Islam and Christianity. Most of them still believe in own religions. (Excerpts from Council for Indigenous Peoples, Executive Yuan)
Every year after harvesting millets, Paiwan people must organize a harvest ritual (known as the Fengnien Ritual or masalud in Paiwan native language). It is a ritual to show the people's appreciation for tjagalaus, the supreme deity of Paiwan tribe. When millets are ripen every year, the priest will confirm the date of the ritual. After informing the chief of all branches, she will send her assistant (pasaladjan) to carry the offering and farm in the millet fields (iyaljng taqinuman). During the five days of the ritual, working or hunting is forbidden. Those who work or hunt during the ritual will face terrible mishaps. On Day 1 when every family is busy making small millet dumplings without stuffing (cinavu), it marks the start of the ritual. On Day 2, people will mix the new millets, old millets and preserved meat (wale ng) together. When new millets are mixed with the old millets and look like old millets (zazaljan), the prohibition (palisi) is over. Not until then people can put the wale ng, vegetable and fish in the cinavu. Every family must put offering on the table to show the appreciation for tjagalaus. The priest will practice the magic at every family.
In the evening, single men in the village will wear a stagger on their waist and send a bunch of charcoals to the home of the single woman they love as a sign of courting (papulivae). The number bunches of charcoals represent the popularity and value of a woman. On Day 3, all people will gather at the square for the beauty pageant (penaljang). It is the joyous day (smuzam) of the village. People sing and dance the song of beauty (uljemay) and select one handsome man and one beautiful woman. They are given the honor to drink with the chief (langalj). On Day 4, the priest will practice the blessing ceremony (isanealjae) at every family and pray for peace, health and happiness of all people after the ritual. The last day is known as the mavesuwang, the abolition of all prohibitions. People can farm and hunt again, and a new year begins.
The millet culture in Paiwan language is known as masuvigu. The millet day is the harvest day, known as masalut. It is the celebration of good harvest and the start of a new year in Paiwan culture. In the past, Paiwan people used to calculate one's age by counting the number of masalut he had passed, suggesting the importance of masalut to Paiwan people. The millet has special meanings to Paiwan people. It is the major ingredient for wine, pot rice, cinavu, rice cake (avai a kinpelj), etc. Long-shaped millet dumplings (avai a kinpelj) are the most prestigious food in the Paiwan culture. Paiwan people must make cinavu and avai a kinpelj during festivals, trips, feasts or for presents. Therefore, the growing of millet, starting from soil preparation, sowing, mowing to harvest, has created the cooperation culture (pazazeliuliulj) among people of the tribe before the harvest and the sharing culture (masaseljevaleva) after the harvest. (Excerpts from Paiwan Tribe Millet Garden website) |
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